Cinema LUTs

19,99  inc. VAT

Cinema & FilmLike LUTs are the first 2 Plasma Hybrid LUTs built to process your Camera LOG images, and at the same time, Output in Rec 709 2.4

Two 66 Points Hybrid LUTs Professionally Crafted by our team.

Our LUTs works on every editing program that supports LUTs.

By scrolling down the page you will find a dedicated Tutorial.

Why Using Plasma LUTs?

Files that fit everyday needs.

Working with major Camera Profiles

We built these 2 LUTs around major Camera Profiles on the Market: Arri, Blackmagic, Canon, Red, Sony, Panasonic, Fujifilm, ZCam and many more to come in nearest future!

For a Professional Usage

The Web is full of Blockbuster replicas and enormous LUTs pack that are actually destroying the color integrity of your shots. We made two LUTs with a spcific mission: bringing quality without compressions.

Hybrid LUTs Color Space Aware

Both the LUTs are Hybrids, it means that they aren’t just applying a creative flavour to the image, but they’re also converting the Input Color Space in Rec 709 2.4: the most common for Broadcast Deliveries.

What's in the box?

2 LUTs, everything you’ll need to start a professional Color Grading in your favourite software.

Cinema LUT

The representation of what we mean by ‘Film Look’.
A solid Color Palette for an evergreen usage.

FilmLike LUT

Starting from the Cinema LUT, we implemented into FilmLike DNA warm tones, and a different representation of midtones.

Why we created Plasma LUTs?

  • LUTs are lightweight, smart, and work on and off the set.
  • Carrying our ‘recipes’ on set, on a small file that is platform agnostic, it always is a need, and we want to preview our clips in the best way possible!
  • We felt the need of making something personal, different, and bullet-proof for our productions. By watching at an image on set with these LUTs applied, we already know the flavour that will be delivered in the end.

Why we created Plasma LUTs?

  • LUTs are lightweight, smart, and work on and off the set.
  • Carrying our ‘recipes’ on set, on a small file that is platform agnostic, it always is a need, and we want to preview our clips in the best way possible!
  • We felt the need of making something personal, different, and bullet-proof for our productions. By watching at an image on set with these LUTs applied, we already know the flavour that will be delivered in the end.

Why we created Plasma LUTs?

  • LUTs are lightweight, smart, and work on and off the set.
  • Carrying our ‘recipes’ on set, on a small file that is platform agnostic, it always is a need, and we want to preview our clips in the best way possible!
  • We felt the need of making something personal, different, and bullet-proof for our productions. By watching at an image on set with these LUTs applied, we already know the flavour that will be delivered in the end.

What programs are compatible?

Cinema & FilmLike LUTs work with any Editing software that
supports 3D LUTs: almost every single one in 2022

Adobe Premiere Pro, Final Cut Pro, DaVinci Resolve, Lumafusion, Avid Media Composer, Filmora Video Editor, Adobe Photoshop and more.

How to Install and use them?

Simply follow the instructions provided by our Video or just load the LUT in your editing software. Our 66 Points LUTs are delivered in standard 3D LUT format, also known as .cube

What programs are compatible?

Cinema & FilmLike LUTs work with any Editing software that
supports 3D LUTs

How to Install and use them?

Simply follow the instructions provided by our Video or just load the LUT in your editing software. Our 66 Points LUTs are delivered in standard 3D LUT format, also known as .cube

ACHIEVE A STRONG AESTHETIC

Cinema & Film LUTs are designed to blend your entire project in a unique cinematic tone.
We focused on reservation of color integrity, and a stylized look, making them usable as starting and finishing point.
Differently from competitor’s LUTs, these are 66 point Hybrid, it means that with the Creative process, they also apply a technical
conversion to your Input color space, in order to deliver beautiful, not-artifacting Rec 709 2.4 processed images.

Cinema & FilmLike LUTs in action

About author

Filippo Cinotti is a DOP and Colorist who operates  worldwide on the commercials and film industry.

He started his career as a freelance FIlmmaker back in 2008. After few years in the Industry, he worked as a Freeflysystem MOVI Operator for a while, deciding then in 2016 to translate everything he was doing mainly into the image craft in its entirety.

With Plasma, he decided to take his knowledge and craft professional Masterclasses and products for the Filmmaking community.

About author

Filippo Cinotti is a DOP and Colorist who operates  worldwide on the commercials and film industry.

He started his career as a freelance FIlmmaker back in 2008. After few years in the Industry, he worked as a Freeflysystem MOVI Operator for a while, deciding then in 2016 to translate everything he was doing mainly into the image craft in its entirety.

With Plasma, he decided to take his knowledge and craft professional Masterclasses and products for the Filmmaking community.

Forming Professionals

Knowledge-Sharing is the Core of Plasma Republic, and we based our content creation on the same baseline.

Formed by Certified Trainer

Filippo is part of the Blackmagic Design Trainers list since August 2020. This achievement is necessary to prove our audience a true eligibility on what we deliver.

Feedbacks from the community

What can I grade with these LUTs?

Everything from Web Deliveries to Broadcast that requires Rec 709 2.4 Output Color Space

Strong Aesthetic made for Film Lovers

Cinema LUTs that gives you
great tangible results.

Grab them. Use them. Share this page link if you like the content.
And be sure to tag @Plasma.republic on your fav. social media!

Plasma Republic