29,99 € inc. VAT
Cinema & FilmLike LUTs are the first 2 Plasma Hybrid LUTs built to process your Camera LOG images, and at the same time, Output in Rec 709 2.4
Two 66 Points Hybrid LUTs Professionally Crafted by our team.
Our LUTs works on every editing program that supports LUTs.
We built these 2 LUTs around major Camera Profiles on the Market: Arri, Blackmagic, Canon, Red, Sony, Panasonic, Fujifilm, ZCam and many more to come in nearest future!
The Web is full of Blockbuster replicas and enormous LUTs pack that are actually destroying the color integrity of your shots. We made two LUTs with a spcific mission: bringing quality without compressions.
Both the LUTs are Hybrids, it means that they aren’t just applying a creative flavour to the image, but they’re also converting the Input Color Space in Rec 709 2.4: the most common for Broadcast Deliveries.
2 LUTs, everything you’ll need to start a professional Color Grading in your favourite software.
The representation of what we mean by ‘Film Look’.
A solid Color Palette for an evergreen usage.
Starting from the Cinema LUT, we implemented into FilmLike DNA warm tones, and a different representation of midtones.
Adobe Premiere Pro, Final Cut Pro, DaVinci Resolve, Lumafusion, Avid Media Composer, Filmora Video Editor, Adobe Photoshop and more.
Simply follow the instructions provided by our Video or just load the LUT in your editing software. Our 66 Points LUTs are delivered in standard 3D LUT format, also known as .cube
Cinema & FilmLike LUTs work with any Editing software that supports 3D LUTs.
Simply follow the instructions provided by our Video or just load the LUT in your editing software. Our 66 Points LUTs are delivered in standard 3D LUT format, also known as .cube
Cinema & Film LUTs are designed to blend your entire project in a unique cinematic tone.
We focused on reservation of color integrity, and a stylized look, making them usable as starting and finishing point.
Differently from competitor’s LUTs, these are 66 point Hybrid, it means that with the Creative process, they also apply a technical
conversion to your Input color space, in order to deliver beautiful, not-artifacting Rec 709 2.4 processed images.
Everything from Web Deliveries to Broadcast that requires Rec 709 2.4 Output Color Space
